stevenhager420

counterculture history, conspiracy theory & reviews

Surfing the Mind Control Matrix

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Ever wonder why the media has fallen into the ownership of only a handful of corporations? That’s because the media is the key programming tool used to manage our collective archetypes, having replaced religion in that role since the arrival of television.

There’s a good reason why most Americans distrust hippies, and that’s because the archetype created in the media was intentionally negative. This campaign started even before the hippies arrived, when their immediate predecessors, beatniks, came into public consciousness. The entire beatnik phenomenon was orchestrated in large part by Allen Ginsberg and the Village Voice, in response to the Jack Kerouac/Neal Cassady adoration societies that emerged after the publication of On the Road. That book introduced concepts of Eastern religion while encouraging the ritual use of cannabis and alcohol to achieve enlightenment.

Because of its revolutionary message and popularity, On the Road needed to be co-opted but quick. In television, the beatnik archetype first appeared as the bumbling Maynard G. Krebs, but eventually, Kerouac’s buddy bromace morphed into the politically and spiritually empty Route 66. a show more designed around selling Corvettes than preaching enlightenment.

In analyzing the real seats of international power, one cannot overestimate the role of secret societies to create and forge new archetypes, as well as manage their depictions in the media.

In this regard, J. Edgar Hoover certainly played a key gatekeeper role throughout most of his professional career. When he was 26 years old, Hoover joined the Washington Lodge of the Scottish-Rite Freemasons and his early career was marked by his clever exploitation of a string of terrorist attacks. Without those terror attacks, Hoover would not have been able to armchair himself into control of that American gestapo known as the FBI.

Clint Eastwood’s film on Hoover has just appeared on HBO and I watched the film with great interest. Unfortunately, it is based mostly on Hoover’s own self-serving accounts of his rise to power and fame, and only hints at the deeper corruption.

Although it may seem strange, aside from Freemasonry, Hoover’s other network of influence appeared to be the Catholic Church, which rewarded Hoover for a lifetime of devoted service, even though he was a German protestant by birth. Freemasons were supposed to be opposed to the Catholic Church, but over history some lodges actually wondered if they’d fallen prey to secret Jesuit control. (In today’s world, that role is played by Opus Dei, currently the most powerful secret society inside the Vatican.) And Hoover was not the only key person inside the national security apparatus who enjoyed a close relationship with the Vatican. James Jesus Angleton, head of CIA’s counter-intelligence operations certainly comes to mind in this regard.

Archetypes are often employed to help move populations toward war, which is the primary means of achieving quick profits as well as keeping people following orders. The traumas inflicted by war and terror are key to advancing the mind control matrix, which runs mostly on shock and awe.

Our current war is obviously constructed around a Christian/Jewish versus Muslim confrontation. However, since the Muslim resources are so small in comparison to the Christian/Jewish empires, this necessitates a new form of war based around terror instead of standing armies. It’s all very similar, in fact, to the sort of terror that cleared Hoover’s path to power. At some point in time, people are going to have to consider the possibility that much of the so-called “left-wing” terror that has been perpetrated over the years has actually been false-flag attacks designed to advance right-wing agendas.

Knowing that London is focus of worldwide Freemasonry, it is really an accident that the logo created for this year’s Olympics spells the word “Zion?” I also couldn’t help but notice that the “L” in London was printed to look like a “Z” in much of the promo material.

And was it also an accident that the closing ceremonies included an enactment of the most famous symbols in Freemasonry (see above)?

Wouldn’t it be strange if the Olympics was actually being used to manage key archetypes for a coming religious apocalypse instead of perpetuating peace as it supposedly claims?

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Written by Steven Hager

August 20, 2012 at 12:40 pm

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